Herbert Bayer (1900-1985)
Concentric Circles
powdercoated aluminum 6061 T5
ca. 1969/2007
84-108 inches (7-9 feet)
Peyton Wright Gallery, Santa Fe, New Mexico
photograph by versluis
Within this structure of a formal rectangular cube are values of neutral white, which are physically rendered as shades and tints. The sculptural circles form stepped and regular concentric circular rhythms as they progressively reduce asymmetrically in scale to punctuate a circular void. On the other hand, one can also sense amplification as the concentric circles move from smaller to larger scale. The sculpture becomes a backdrop for the variations in lightness and darkness by reflecting the environs surrounding this piece.
The dappled light from the tree foliage creates patterns and interesting color combinations that unify color relationships that seem to suggest both literal and an illusion of space.
Sunday, April 24, 2011
clean and elegant monochromatic relationships
Labels:
design,
design history,
thoughts
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Comments are moderated, and will not appear until the editor has approved them.