Navajo Double Saddle Blanket, c. 1920s, serrated diamond pattern in red, dark brown, cream and gray, 57 x 31. From the author’s collection.
A couple of years before my maternal grandfather, Henry Koster, married my grandmother in 1933 he and a friend took a road trip, first to Florida and then traveling cross-country to Arizona and New Mexico. My grandfather bought this Navajo weaving from a trader, perhaps in Newcomb, New Mexico.
Elmer Yazzie comments that, “The diamonds are a pattern influenced by a trader. Oftentimes, the traders controlled the weavers just as the [Christian] Church controlled the arts for many centuries. It does not have a meaning.”[1]
Southwest U.S.A. Indian art trader, Joe Tanner of Tanner’s Indian Arts in Gallup, New Mexico recognized this piece as a double saddle blanket and believes it dates from the late 1920s. [2] Unfortunately it was machine washed many years ago; however, it’s still beautiful. The piece was repaired and cleaned in 2007 by Persian Rug Cleaning of Los Angeles.
Navajo weaving specialist, Kate Peck Kent writes:
Most [saddle] cinches and many saddle blankets were made in a diamond twill weave. The Navajo typically made twill saddle blankets with two contrasting colors to create a vibrant optical effect. The most notable of these [twill-woven articles] were double and single saddle blankets, the closely battened, sturdy fabrics of rather coarse handspun yarns that took the place of the sheepskin saddle pads used in the Classic [early Spanish] period.[3]Growing up, my family used the thick twill-weave saddle blanket as a floor rug, which is what many Anglo-Americans who purchased saddle blankets did after the turn of the twentieth century.
- Yazzie, Elmer. “Navajo rug.” Message to the author. 30 Nov. 2006. Web.
- Tanner, Joe. “Navajo rug.” Message to the author. 10 Dec. 2006. Web.
- Kent, Kate Peck. Navajo Weaving, Three Centuries of Change. Santa Fe: The School of American Research Press, 1985. 79-80. Print.
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