Friday, March 10, 2017

Lygia Clark: “Bicho—monumento a todas as situações”—the inherent creatureliness of all things

Lygia Clark (Brazilian, 1920-1988)
Bicho—Monument to All Situations (Bicho—monumento a todas as situações), 1960
65.4 x 53.5 x 40.6 cm (25 3/4 x 21 x 16 in.)
From the collection of the Art Institute of Chicago
photographs by versluis 2017

The following information is from the AIC label:

Clark began producing bichos, Portuguese for “critters,” in 1959. The articulated aluminum sculptures are small enough to be held. Clark designed each piece to be manipulated by the viewer. The artist understood the bichos as living creatures able to move and occupy space. The variability inherent in the works in this series creates a unique experience by stimulating both physical and visual sensations, activating the object and the viewer in the process. Through their titles and shapes, certain of the bichos suggest a wider, even utopian context (as well as content), and this work bears a strongly architectural sensibility appearing in a number of its configurations like a dynamic skyscraper or winged creature.

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